Alla Milanese - The Gonzaga Band - RES10314

Alla Milanese

$16.13
Total playing time [74:19]

The Gonzaga Band
Faye Newton (soprano)
Jamie Savan (director & cornetts)
Oliver Webber (violin & viola)
Mark Caudle (violone)
Guy Morley (bass sackbut)
Steven Devine (organ & harpsichord)

Alla Milanese (‘in the Milanese style’) explores the connections between musicians at the heart of Milan’s scene for experimental music, c.1592–1626.

Alongside compositions from the city’s most illustrious musical families – Rognoni and Cima – The Gonzaga Band has sought to rediscover the music of their lesser-known contemporaries, including Biumi, Casato, and the nun-composer Caterina Assandra, to illuminate a rich and complex network of stylistic innovation at the dawn of the Baroque era.

Album Booklet (PDF)

Tracklist

Andrea Cima (fl.1606–27)
1. Capriccio a 4 (1610)

Giovanni Paolo Cima (c.1570–1630)
2. Gaudeamus omnes (1626)

Giovanni Paolo Cima
3. Sonata per violino & violone (1610)

Francesco Casato (fl.1617)
4. Vulnerasti cor meum (1617)

Giovanni Paolo Cima
5. Sonata per cornetto & trombone (1610)

Giovanni Pierluigi da Palestrina (1525/26–1594)
Divisions by Giovanni Battista
Bovicelli (fl.1592–4)
(contrafactum of Io son ferito)
6. Ave verum corpus (1594)

Antonio Mortaro (fl.1587–1610)
Divisions by Francesco Rognoni
(fl.1608–26)
7. Canzona ‘la Porcia’ (1620)

Francesco Rognoni
8. Sonata seconda (1626)

Giovanni Domenico Rognoni (d. before 1624)
9. Tu gloria Hierusalem (1626)

Girolamo Baglioni (d.1608)
10. Maria Magdalena (1608)

Orlando di Lasso (1530/32–1594)
‘bastarda’ divisions by Francesco Rognoni
11. Susana d’Orlando (Susanne un jour)
(1620)

Giovanni Paolo Cima
12. Capriccio 8 (1606)

Giacomo Filippo Biumi (c.1580–1653)
13. Veni in hortum meum (1617)

Giovanni Paolo Cima
14. Sonata a 3 (1610)

Cipriano de Rore (1515/16–1565)
Divisions by Riccardo
Rognoni (c.­­1550–c.1620)
15. Ancor che co’l partire (1592)

Giovanni Paolo Cima
16. Surge propera amica mea (1610)

Francesco Rognoni
17. Ave Virgo benedicta (1626)

Giovanni Paolo Cima
18. Ricercar 7 (1606)

Caterina Assandra (fl.1606–18)
19. Veni dilecte mi (1609)

Caterina Assandra
20. O salutaris hostia (1609)

Benedetto Rè (fl.1607–1629)
21. Canzone a 4 (1609)

“

'This well-structured recital considers a well-represented idiom (the genesis of the Baroque style in northern Italy) from an unfamiliar standpoint.'

- Gramophone

'This well-structured recital considers a well-represented idiom (the genesis of the Baroque style in northern Italy) from an unfamiliar standpoint.'
Gramophone

Credits
© 2023 Resonus Limited
Ⓟ 2023 Resonus Limited
Catalogue No. RES10314
Producer, engineer & editor: Adam Binks
EAN: 5060262793473
Cover image: ArtHouse Studio: Bronze door of Milan Cathedral
Release date: 10 February 2023